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Tang Yongli | profile

The central academy of fine arts dean, professor, doctoral supervisor, and the CPPCC national committee, the standing committee of the central academy of fine arts of academic committee, academic degrees committee member, China national imperial art academy committee, China academy of art doctoral supervisor, China artist association、deputy director of the Chinese painting art committee, vice-chairman of the Chinese claborate-style painting society, director of China artists association. Enjoy special allowances of the state council.

His works participated in the fifth, sixth, seventh, eighth, ninth, tenth, eleventh session of the national art exhibition, participated in Beijing international art biennale and other international and domestic various types of fine arts exhibition and academic seminars, held solo exhibition many times, published personal monograph and personal album more than 30.

The main works and albums: 《Hold world with virtue——Tang Yongli Chinese painting teaching theory》、《30 years—— Tang Yongli academy of fine arts》、《Tang Yongli teaching lesson》、《The character of free sketching of claborate-style painting》、《The Chinese figure painting modeling basic teaching ——linearity sketch study》、《Characteristics textbook of higher fine arts education——Tang Yongli—sketch—creation—sketching》etc.. Representative works including:《Mulan poem》、　《Traditional culture style of Datang》、《Dream of Dunhuang》 series of works.

Especially for the claborate-style painting 《New China was born》, it was took three years to created, was participated in important history subject exhibition in China in 2009, at the same time showed around in the top ten cities in China. And some scholars have proposed: 《New China was born》 and 《Founding ceremony》 are different in approach but equally satisfactory in result that was created by Dong Xi-wen in 1950s, and gained praise from national leaders and the masses, became the classical work of history subject in the new times.

He specially emphasized that having solid art history and aesthetics foundation in the direction of theoretical research, and having the ability of independent thinking, pay attention to depth and create individualize, after years of research and practice, he put forward two great project:”The creation of claborate-style painting of freehand brushwork and the research of the character of free sketching of claborate-style painting” and “Chinese painting figure modeling basis research ·linearity sketch”, he wrote the papers more than 300 thousand words, and acquired the theoretical breakthrough. He put forward the original ideas and theories, and put forward the theory basis for the development of Chinese figure painting.

After 30 years, he had wrote the papers 500 thousand words, his works was collected by art gallery at home and broad.

In the process of the development of the contemporary Chinese painting, he demonstrated a comparative study between Chinese art and western art, the research of traditional and modernistic is the necessary way of evolution of Chinese painting. he use the subject of on both ends of the deep and fusion of Chinese and western, to create and research for the type of freehand brushwork of claborate-style figure painting, he explored the integration with the traditional painting language and modern painting language and move forward, he carry the Chinese figure painting to modern forward, open up new space for the creation of the figure painting.